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Your Stories

Your Stories is a series of free workshops running from August – October 2025, designed and led by a group of young people in Southampton, delivered in partnership with In Focus. Your Stories responds to the work of Jane Austen, taking inspiration from the author to celebrate her 250th birthday year. The workshops are open to all, and use poetry, painting, cartoons, collage, fashion, and textiles so that participants can tell their stories in a range of powerful, creative ways.

A selection of the art created in the workshops is shared digitally on this page after each workshop, and will also be displayed in a collective exhibition in late autumn, leading up to a celebration event on Jane Austen’s 250th birthday on 16 December.

This project is supported by Southampton Forward, National Lottery Heritage Fund and Foyle Foundation as part of Jane Austen 250.

Want to get involved?

If you are a literature lover, a budding creative or just someone with something to say about today’s world – this is your space to be heard.

Free drinks and snacks at every workshop, and everyone is welcome. Interested in more than one workshop? Go ahead and sign up for a few in advance via the page linked below.

Please note that activities are suitable for people aged 11+. The workshops have been designed for adults, young people and older children. Anyone under 18 will need to be accompanied by an adult at all times – and that adult is very welcome to join in!

The work

Explore the work created in the 8 workshops, as they happen.

1. Blackout Poetry

Ten people aged from their early 20s to their 70s all gathered in October Books in Southampton to learn about and make blackout poetry from Jane Austen texts. People selected words and blacked out others to create new poems, sometimes adding decorations or enhancing the visual form of the work in different ways.

Participants shared their stories and the decisions behind their creative choices as they worked. A small selection of the poems are displayed here, as well as some snippets of conversation.

  • Blackout poem - black pen covering most of the page with some words left visible and cartoonish monster figure drawn. Poem reads: she wandered resentment firm judging character fear coldly dissatisfied powerful anger against another
  • Blackout poem - black pen covering most of the page with some words left visible and doodles of stars, flowers and birds. Poem reads: I fall in an instant in such hands the pleasure of her eyes turn towards all that deep harmony all the rapture on such a night as if the sublimity of your lovely life taught me to feel
  • Blackout poem - black pen covering most of the page with some words left visible. Poem reads: I am sure that the pleasure of having the brilliancy of an unclouded night may lift the heart to rapture!

I started looking at Jane Austen’s text, and immediately, these words around judgement, fear and anger against others jumped out. I think it was because yesterday I heard someone speaking on the radio with such judgement and intolerance about asylum seekers, and indeed all kinds of people that were different to her. She seemed to see monsters everywhere, and it made me really sad.

Blackout poem - black pen covering most of the page with some words left visible and cartoonish monster figure drawn. Poem reads: she wandered resentment firm judging character fear coldly dissatisfied powerful anger against another

I fell in love for the first time! (And learnt I’m not asexual/aromantic as a result, which is a little destabilising?). I adore my girlfriends so much though!

Blackout poem - black pen covering most of the page with some words left visible and doodles of stars, flowers and birds. Poem reads: I fall in an instant in such hands the pleasure of her eyes turn towards all that deep harmony all the rapture on such a night as if the sublimity of your lovely life taught me to feel

2. Collage

Fifteen people aged from 16 to in their 60s gathered in October Books in Southampton to make collages inspired by Jane Austen. They could choose to use a silhouette of Jane, or a portrait of her as part of their collage, or to do something completely free, using recycled newspapers, magazines, and drawing. 

People shared their stories for what they’d been thinking about as they worked, and why they’d chosen to include particular elements in their collages. Here is some of the work made:

  • Collaged photographs of people with no faces and text that reads "it isn't what we say or think that defines us but what we do" in the centre
  • Young persons hands working on a collage
  • Collaged portrait of Jane Austen with different elements added such as fruit, flowers, and paintings
  • collaged artwork with Jane Austen silhouette cut out pasted over close up images of people and text

I was thinking about what Jane Austen might be writing about if she was alive today? All sorts of current issues, but particularly to do with women’s lives, freedom, identity, and maybe all the different roles we try to play.

3. Fashion

Eight people aged from 11 to in their 50s gathered at Eagle Lab in Southampton for a fashion workshop inspired by Jane Austen. Making dresses and enhancing them with trimmings and ribbon was a key part of self-expression for Jane and her characters, and we still put together statement’ outfits now. 

Using this idea as a springboard, participants adapted pre-cut fabric shapes, decorating and embellishing them in whatever way they wanted to tell their story. They then tied them onto 30cm artist mannequins, using ribbons to achieve a Regency dress silhouette with a contemporary decoration and message. People shared their stories for what they’d been thinking about as they worked, and why they’d chosen the decorations and designs they had for their outfits. Here are some of the dresses created:

  • about 15 small wooden mannequins arranged into a group photo style pose all wearing fabric tied into dresses and decorated with fabric trims and pens
  • three images side by side: close up of person using scissors to cut a piece of fabric on a small wooden mannequin over a table of craft supplies, small wooden mannequin wearing white fabric fashioned into a dress with words written on with fabric pens, small wooden mannequin wearing white fabric fashioned into a dress with ribbons and a portrait of Jane Austen drawn with fabric pens
  • three images side by side: small wooden mannequin wearing white fabric fashioned into a dress with red ribbons and spiky patterns and yellow ribbon with black text to look like crime scene tape around the waist, two mannequins arranged with dresses crafted from fabric in black and white, two mannequins with pink and blue dresses decorated with lace and ribbons

I found a couple of Jane Austen quotes & printed them out. These became part of each of the 3 dresses I made. Jane was a brilliant wordsmith so I wanted to reflect that in the dresses she wore: "Life seems but a quick succession of busy nothings." "There is no charm equal to tenderness of heart." "To sit in the shade on a fine day and look upon verdure is the most perfect refreshment."

If Jane Austen was still around I bet she would LOVE Lady Gaga and her creative and ground-breaking political statements! So this look is inspired by Gaga’s iconic looks across many of her albums!

4. Cartoons

Six people aged from 18 to in their 50s gathered at Eagle Lab in Southampton for a Cartoons workshop inspired by Jane Austen. Jane’s stories often pivot on a few key moments, where characters are introduced, the narrative moves on or resolution is achieved. Cartoons do this in a very simple and effective way, and they are a great creative approach to working out how to tell a story in just a few central scenes. 

Participants learned from the young leader how to tell a story through a 6‑panel cartoon. They were given just five minutes each to draw an initial panel introducing the character of their story, then a second panel outlining that character’s goal. Panel 3 introduced some kind of challenge or barrier, and panel 4 was the character outlining some kind of plan. Panel 5 was the plan being enacted (perhaps successfully, perhaps unsuccessfully), and the last panel showed the end result. 

Everyone was encouraged to draw in pen if possible, to help them avoid overthinking what they were doing – mistakes were fine, just get the story down. Participants really learned from each other as work was shared, including seeing some people using very different viewpoints to add drama (focusing in or zooming out), using colour and using sketchier styles. They also noted the effect of using words or not, and how challenging but effective it could be to avoid words within the cartoon altogether. 

Having made one 6‑panel cartoon each on their own story, participants then collaborated to make 5 more cartoons together, each drawing a panel and then passing it on to the person next to them. Decisions were made about mirroring styles or not, and what to do with each story next. It was surprising and a lot of fun to see where each story went, which was often not what the initial creator had anticipated.

  • young person holding paper with hand drawn cartoon on it, appears to be explaining it to others around the table
  • person holding paper with hand drawn cartoon
  • 6 part cartoon drawn in black ink. 1. girl sitting on bench. 2. speech bubble reading 'I came here to draw!' 3. close up of girls face and written: 'but my brain is soup' with picture of soup. 4. 'lets just see what I have eh?' drawing of bag contents 'not bad'. 5. girl drawing with lightbulb above head. 6. 'nice' view of sketchbook with drawings in
  • person holding sheet of paper with hand drawn cartoon pointing to it

More coming soon…

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